When Natalie Marshall, higher often called Company Natalie, landed her first model deal (a sponsored submit for Twisted Tea), she made $500 and felt invincible.
“I was like, I am the richest woman in the world,” she informed Fortune. The then-nascent content material creator took her mates out to the nicest sushi restaurant she might discover in San Francisco (however was actually a “hole in the wall place,” she stated) and purchased everybody dinner.
Marshall, a Notre Dame alum and former Deloitte advisor, began Company Natalie as a facet mission. Over the previous six years, she’s developed a personality constructed across the absurdities of workplace life, from passive-aggressive Slack messages to buzzword-heavy all-hands conferences. The skits resonated. She now has 1.4 million followers on Instagram, 827,000 on TikTok, and 276,000 on LinkedIn—numbers which have attracted model companions starting from main tech companies to shopper items firms.
Fairly quickly after Marshall began making content material, she realized she might make actual cash from content material creation. To construct rapport and the phantasm that she was already a well-established creator, she created a pretend assistant.
She might have been orchestrating considerably of an phantasm then, however it labored. Now, Marshall has a whole model and character by which she parodies workplace tradition throughout TikTok, Instagram, and LinkedIn, and has three full-time staff working for her. She was additionally acknowledged as a 2023 LinkedIn High Voice and appeared on the Forbes 30 Underneath 30 checklist and appeared in a Dunkin’ Donuts industrial with Will Arnett and on a Roku sequence in a Kris Jenner wig taking part in Charlie Puth’s “momager.” Marshall, 29, additionally beforehand produced a podcast, Demoted, with fellow B2B creator Ross Pomerantz, often called Company Bro. She declined to share income or revenue with Fortune, and influencer revenue can differ enormously between follower depend, content material kind, and platform—however some content material creators have been recognized to usher in thousands and thousands of {dollars} per yr.
Company Natalie has gained such a following and been so successful that she’s launching Develop Co-Lab, a creator-led influencer advertising company, which she believes can overhaul a system she says is basically damaged.
“Brands pay massive amounts of money for one singular video to creators, and they often never meet them or talk to them,” Marshall stated. “Agencies play this intermediary role that creates separation between the creator and the brand. I sat with that with my team, and we decided we wanted to launch [a] creator led influencer marketing agency.”
The influencer advertising trade
The timing of Marshall’s Develop Co-Lab comes at an inflection level for the worldwide influencer advertising trade, which is estimated to achieve $32.55 billion in 2025, up 35% from 2024, in keeping with Influencer Advertising and marketing Hub.
Manufacturers are more and more pouring these {dollars} into B2B channels. Based on TopRank Advertising and marketing’s 2025 B2B Influencer Advertising and marketing Report, 99% of B2B entrepreneurs utilizing an always-on influencer technique charge their applications as efficient, and 72% of essentially the most superior groups have a devoted influencer finances they count on to develop.
However for Marshall, extra money doesn’t all the time equate to higher outcomes. She argues it’s really made influencer advertising much less environment friendly.
While you’re a creator, Marshall defined, a model or company will attain out to you and supply a sure sum of money to speak about sure subjects on their channel, and so they’re given a artistic transient. However “oftentimes these briefs are written by copywriters, not creators,” which implies there can generally be a number of calls to motion, many textual content overlays, and requests for making model factors which have all been authorised by their authorized groups, she stated. She’s rewritten scripts as much as 10 occasions to fulfill briefs that have been by no means constructed for the kind of content material she makes.
“We understand that there’s things you have to do to get your message across, but it’s often really difficult, because me, as a comedy creator… how am I supposed to make a joke but also mention all of these things?” Marshall stated. “I think the sweet spot that really makes incredible content is when I meet with the brand directly, and we talk through [the] main problem point [they’re] trying to solve.”
Company Natalie’s resolution to influencer advertising friction
Develop Co-Lab’s premise is easy: Convey creators into the room earlier.
Slightly than handing off a 60-slide deck, the company facilitates direct conversations between manufacturers and creators throughout the briefing course of. This helps everybody concentrate on what Marshall calls the “one hero moment or message” a model really wants. Plus, many content material creators nearly by no means get suggestions on their work from the manufacturers they work with.
“I don’t know how the campaign performed. I don’t know if I’ll ever speak to them again. Were they happy? Were they sad? I don’t know,” Marshall stated. “There’s no communication.”
Develop Co-Lab doesn’t characterize expertise or take commissions from creators. As an alternative, it really works with a collective of creators within the consulting and ideation features of the method. A few of the creators Develop Co-Lab works with embody Brandon Smithwrick, Varun Rana, Sara Uy, Company Bro, Rachel Tokar, Matthew Kearney, and Morgan Younger. Marshall stated she’s assembly with dozens of recent creators weekly to construct out the collective. The B2B house is the place Marshall sees the most important white house and the place she’s staking her declare.
Marshall has spent six years working on the intersection of creator tradition and the skilled world, so she is aware of each how manufacturers assume and the way creators work. However at the same time as Marshall continues to increase her enterprise ventures, she’s cautious to not make it appear as if everybody can or needs to be a content material creator, irrespective of how enjoyable or fulfilling the job could also be.
“I don’t think everyone needs to be a content creator. If you love filming yourself and you love filming videos, absolutely—stick with it,” she stated. “Find the thing that makes you uniquely you… that single point of failure. If you left the company because you’re so good at this one thing, the company would fall apart in some small way.”
